Journalist
Yauhenia Dougaya
A SPACE FOR ARTISTS IN EXILE
Open Stage, Discourse, Collaboration, and Mutual Support
Featured Work
Interview with Masha Pryven
Essay about a book by Hanna Yankuta
Interview with Alexandra Kononchenko
»Homeless under an Alien Rainbow«–photo project by Kseniya Halubovich
Interview with Anna Dial and Arina Kalimulina
Interview with Yauhenia Dougaya
Artwork of the month: Lesia Pcholka
The Programm is now available
Artwork of the month: Ludmila Pogodina
Artwork of the month: Essay by Volha Hapeyeva
Artwork of the month: Varvara Sudnik
Artwork of the month: Anton Avdieiev
Artwork of the month: Zophia Ewska
Artwork of the month:
Anton Anishchanka
Anton Anishchanka
Artists
Field Recordist,
Sound Artist,
Curator
Anton Anishchanka
Filmmaker,
Photographer
Zophia Ewska
Photo Archive
VEHA ARCHIVE
Works
(Un)limited Artistic Resource Survey
Independent research initiative investigates the conditions of work and life of (non)migrant artists
Independent research initiative investigates the conditions of work and life of (non)migrant artists
Planting a Garden of Inclusive and Hybrid Culture
Sam Chak Lui Chan, a star of Cantonese opera, speaks about the reasons of her emigration and new life in Britain with both the story behind her exile from Hong Kong and new challenges she is facing abroad resonating with the stories of artists in exi …
The prayer against the fog of history
A work that explores the complex relationship between mystical rituals and political pressure within the authoritarian regime in Belarus
»In Belarusian culture in exile, our bullets are not symbols–but meanings!«
Probably the most famous DJ from Belarus–on the energy of exile, building senses through the universal language of music, and hungry youth culture worth of sounding worldwide
It is in silence where the most evil things are done
Belarusian civic journalist and photographer Yauhenia Dougaya talks about women political prisoners enduring inhumane conditions during their incarceration
Revision 30
Revision 30 shows the changes in Belarusian society from Perestroika to the present through the archives of two photographers Sergey and Dmitry Brushko
